GENERALLY SPEAKING
Print media clippings: column
fodder or recycling litter?
by Pat Laster
During one of my Arkadelphia years
(1997 – 2002), I made a 50-item list of New Year’s Resolutions.
Whether I copied another’s idea, or because I had so many
“important” things that needed doing, I don’t remember. I do
know that one of those goals was to write a “column”—though I
was not a column writer at the time—by Friday of each week as
though I were responsible for one.
On a 100-degree August day, I wrote.
Resolution # 8: Go through one box of clippings per
month and file them or toss. Write a poem or article from at
least one clipping.
For several years, I had
retrieved—with per-mission-- shallow cardboard box tops from
gro-cery stores. As I found interesting pictures, head-lines or
articles in my reading, I clipped and tossed them into a handy
lid.
Periodically, I would pull a box from
under the buffet. Both a fire hazard and a possible mouse nest
(if such a creature had come in from the heat), it held stuff
from last year’s papers, even one from the very date I was
working.
I went through the lid piece by piece
and ended up with three piles: articles on state parks for an
upcoming poetry contest, bios and interest-ing “people”
features, and a hodge-podge of pic-tures, shorts, cartoons and
columns.
“Sheba’s precursors discovered,” told
about archaeologists unearthing advanced villages in Yemen. The
word, “poem” is handwritten at the top.
“Suitors size up Sue, the T-Rex.” A
dinosaur skeleton had gone on the auction block. Poem fodder,
for sure.
“Exhibit revives lost art of chewing
fat,” an Erma Bombeck take-off possibility. It goes in the I
MISS YOU, ERMA folder.
I revisited clippings of obituaries that piqued my
interest. One was for a four-year-old. It read in part, “His
major achievements include learning to whistle, swing by
himself, ride a bike with training wheels, and write his own
name.” I cried over it for the second time.
The state paper sports editor
wrote two obits-cum-columns, one about the death of a daughter of friends in a
train accident in Egypt where she was on tour, and another about the tragic
death of an “unbelievably good high school athlete” who was killed with a
12-gauge at close range in his small, rural hometown.
Pictures abounded, maybe for future
haiku/senryu, or perhaps just to show grandson Billy: Camels being herded
through empty streets of Cairo on a Friday when the weekly Muslim holiday meant
that there were no traffic jams. A barefoot boy seriously intent on riding his
bicycle. A coach’s one-year-old son holding a football helmet out on the field
during media day, and a six-year-old in Trafalgar Square under the dolphin
fountain trying to keep cool in the unusually hot British summer.
If I didn’t tape the stuff I wanted
to keep into a notebook, those clippings would be consigned to the recycle bin
sooner or later.
No more box lids. Now I tape
clippings into my current notebook-journal. Those are more likely to be kept by
my offspring, even if not read for a while – similar to my mom’s hand-written
autobiography that sits in a nearby shelf.
In a notebook dated June 3 of this
year – the one propped next to the computer for the “story” ideas it contains –
is this clipping from 100 years ago. “FORT SMITH – One of the most peculiar
accident that ever occurred on the Frisco happened near [here] on the Stanley
trestle when some of the supports of the trestle gave way beneath a passing
freight train, allowing the cars to drop to the small creek below. In the plunge
not a single car left the rails, the train forming a perfect bow as it spanned
the stream.”
On the same page is the last
paragraph of a short clip from The Writer written by Marlene King. I
have underlined these words: “Beginnings …must state the premise of the story or
topic…Start whenever and wherever you can; then shape the parts into the
finished piece.” And I add, then finish it.